Dancing in New York City in This Week

ALEXANDRA PIRICI in the New Museum (Feb 6-April 15 at different times). From today through early spring, this choreographer Alexandra Pirici matches the south west galleries of this New Museum using “Co-natural,” called a continuing action which will be done continuously during daylight hours. There’ll be six actors from the area, but just five individual — that the sixth, Farid Fairuz, will appear like a hologram, demonstrating Ms. Pirici’s fascination with analyzing the tension between unity and fragmentation. Press materials characterize the job as “one gigantic, modular organism made from digital and living issue.”

DANA REITZ in New York Live Arts (Feb. 8-10 in pm) Dance can be simplistically reduced to the pairing of motion and songs. Choreographer Dana Reitz wants to disagree: She’s regularly choreographed in quiet, therefore she’s at “Latitude,” a brand new work presented as a member of their Lumberyard at the City Winter Festival. Ms. Reitz, that plays with Elena Demyanenko and Yanan Yu, is operating with a rating made from light, which she’s also developed, with long believed mild an equal partner in dancing. Here, the 3 actors browse the spotlights and shadows of this point on a silent trip of discovery.

NEW YORK CITY BALLET in the David H. Koch Theater (Jan. 23-March 4 in different occasions) City Ballet proceeds to blend and match innovation and tradition, interspersing performances of its own “Vintage NYCB” and “All Balanchine No. two” apps with fresh choreography from younger dancing manufacturers. Saturday afternoon includes a brand new job by corps warrior Peter Walker, his next for the firm, in addition to the yield of “Russian Seasons” by top-shelf choreographer Alexei Ratmansky.

RONALD K. BROWN EVIDENCE in the Joyce Theater (Feb. 6-11 at different occasions) Ronald K. Brown’s striking style — a sweet mix of African dance, contemporary dance, social dances and dancing — is on fine display in a mixed-bill app that contains “March,” an excerpt in a 1995 work place to some Martin Luther King Jr. address; “Come Ye,” motivated by Nina Simone; “Dance Spirit,” made for the Alvin Ailey business and currently played by Mr. Brown’s amateurs; as well as also the newest “Den of Dreams,” a duet between Mr. Brown and Arcell Cabuag, an extravagant celebrity along with the organization’s associate artistic director, who is celebrating 20 years with the troupe.

Mr. Peck an undercover manager of New York City Ballet, in addition to its own resident choreographer and also a soloist dancer, will go over the first choreography of Agnes de Mille and his expectation to “both pay homage to exactly what she did initially, and to expand the series farther into new land.” The event includes excerpts done by cast members.

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